鈞窯，即鈞臺(tái)窯，是在柴窯和魯山花瓷的風(fēng)格基礎(chǔ)上綜合而成的一種特風(fēng)格，受道家思想深刻影響，在宋徽宗時(shí)期達(dá)到高峰，其工藝技術(shù)發(fā)揮到。無(wú)論是呈色和各種紋理的表現(xiàn)，做到窯變可控隨心所欲的表現(xiàn)技術(shù)，至今仿造。仿造出來(lái)的藏品價(jià)格都不容小覷！
Jun kiln, that is, Jun Tai kiln, is a unique style based on the style of the firewood kiln and the Lushan Mountain flower porcelain. It is deeply influenced by the Taoist thought and reached the peak in the Song Huizong period. No matter how chromatic and textural performance can be done, the technology of kiln control can be done freely. So far no one can copy it. The price of the imitation of the collection can not be underestimated!
這批鈞瓷工藝早已失傳，而窯址也隨冰凍積水而下沉?！翱v有家財(cái)萬(wàn)貫，不如鈞瓷一片”?？梢?jiàn)當(dāng)時(shí)鈞瓷產(chǎn)生的轟動(dòng)效應(yīng)。于是各地群相仿效，窯口林立，但至今仍然不得要領(lǐng)。至今，研究文章汗牛充棟，考古窯口不計(jì)其數(shù)，因都未見(jiàn)過(guò)這批北宋官造鈞瓷，也只能是管中窺豹了。，受道家思想深刻影響，在宋徽宗時(shí)期達(dá)到高峰，其工藝技術(shù)發(fā)揮到。無(wú)論是呈色和各種紋理的表現(xiàn)，做到窯變可控隨心所欲的表現(xiàn)技術(shù)，至今仿造。宋代受理學(xué)的影響，反應(yīng)在瓷器上就是規(guī)整對(duì)稱，無(wú)論是造型或紋理都遵循這一原則，特別是北宋官造鈞瓷
The process of Jun porcelain has long been lost, and the kiln site is sinking with the freezing water. "If there is a family wealth, it is not as good as a Jun porcelain". We can see the sensational effect of Jun porcelain at that time. As a result, the group of different places was imitated, and the kiln mouth was built up. So far, research articles are numerous, and archaeological kilns are numerous, because they have not seen the official manufacture of Jun porcelain in the Northern Song Dynasty. Influenced by Taoism, it reached its peak during the Song Huizong era, and its technology and technology were applied to the extreme. No matter how chromatic and textural performance can be done, the technology of kiln control can be done freely. So far no one can copy it. In the Song Dynasty, the influence of the reception was reflected in the porcelain, which was regular and symmetrical. Both the shape and texture were followed by this principle, especially in the Northern Song Dynasty.
鈞窯瓷器歷來(lái)被人們稱之為“國(guó)之瑰寶”，在宋代五大名窯中以“釉具五色，艷麗絕倫”而樹(shù)一幟。古人曾用“夕陽(yáng)紫翠忽成嵐”等詩(shī)句來(lái)形容鈞瓷釉色靈活、變化微妙之美。傳統(tǒng)鈞瓷瑰麗多姿，玫瑰紫、海棠紅、茄皮紫、雞血紅、葡萄紫、朱砂紅、蔥翠青……釉中紅里透紫、紫里藏青、青中寓白、白里泛青，可謂紛彩爭(zhēng)艷。
The porcelain of Jun kiln has always been known as "treasure of the country". It is unique in the five famous kilns of the Song Dynasty. The ancients used the verse of "sunset purple green to become blue" to describe the beauty of the glaze of Jun porcelain. Traditional Jun porcelain is magnificent, rose purple, Begonia red, eggplant purple, chicken blood red, grape purple, Zhu Shahong, Cong Cuiqing... The glaze is red, purple, purple, blue, white and white.
0500 清雍正 天青釉仿均窯蒜頭瓶
洗口、細(xì)直頸、圓腹、高圈足。胎體堅(jiān)致敦實(shí)，釉質(zhì)肥潤(rùn)潔凈，形制端正俊美。肩、腹部各起一細(xì)一粗二道凸起弦紋為飾，線條飽滿挺拔，裝飾簡(jiǎn)略大方。通體滿施天青釉，釉勻色雅，是器工藝特，于頸、肩連接處復(fù)施少許氧化銅料呈微微泛紅自然色塊，似仿均窯變，又似“雨過(guò)天晴紅霞舞”視效，美倫美奐。
The washing mouth, the thin straight neck, the round abdomen, and the high circle of feet. The carcass is firm and solid, and its enamel is moist and clean. The shoulders and abdomen are covered with a thin, thick, two raised chord patterns. The lines are full and upright, and the decoration is simple and generous. The whole body is full of celestial glaze, and it is elegant in color. It is unique in the craft. A little copper oxide in the neck and shoulder junctions is given a little red natural color. It resembles the change of the kiln, and it looks like "the red clouds dance of the sky and the sky". This kind of porcelain is very rare in Yong Zheng's monochrome glaze.

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